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Young Muslim Woman at work.jpg

Should You be an Intern or Work for Free?

June 21, 2019 by Papatia Feauxzar in WRITING, ARTS

In this digital age, almost everyone wants to be seen and go viral, especially every business. To what end though? Is it related to narcissism to strike the ego or is it to actually to provide something that the audience will get some kind of value from? We must always assess our intentions with anything before we act.

The creative and passionate people we “hire” to put our visions out there are often struggling financially, emotionally, spiritually– you name it. It’s imperative that we look out for them rather than take advantage of them. Yes, we get good deeds for sharing our helpful stories, and we get exposure but that doesn’t begin to cover real and daily living expenses. Many creatives, writers and wannabe entrepreneurs live in poverty. They don’t even make minimum wage.

The Prophet ﷺ said,“Pay the laborer his wages before his sweat dries.” Additionally, the Father of Kittens, Abu Hurayrah narrated that the Prophet ﷺ also said, “Allah ﷻsaid, ‘I will be the opponent of three on the Day of Judgment:…and one who hires a workman and having taken full work from him, does not pay him his wages.’”

Like the hadith say, it’s un-Islamic and unethical to exploit a worker. Stopping the fitnah surrounding the exploitation must be a group effort, we can do our part from either side.

What Can You Do as a Muslim Employer

  1. Try to pay your workers in kind if you can’t pay them monetarily.

  2. Try to raise money for your projects from generous benefactors.

  3. Find grants that can help you cover your employees’ wages.

  4. Strive to find advertising possibilities that will translate to sales for the benefit of the business advertising with you and the sake of the employees working under your care.

  5. Don’t bait workers with unpaid internships and volunteer positions knowing full well that they will never get paid and that the basis for payment has nothing to do with experience.

What Can You Do as a Muslim Freelancer or Employee

  1. Make sure you don’t desperately agree to unpredictable paying terms in order to “be seen” or “go viral.” Firmly refuse to work for free and don’t feel bad about it if you truly believe you can find better elsewhere. We all have bills to pay, so the prospective employer should understand your position.

  2. If you agree to work for free, agree because your true intent on that particular platform or for that organization is not to make money. There is nothing wrong with working for free on certain platforms if you see it as a good deed to begin with or a charitable act. Sometimes, working for these non-paying platforms will give you “a street credit” like it’s normally called or “vetting.” Not everyone can say that they contributed to such and such platform, there is value in contributing even if you aren’t paid.

  3. Look for other situations where you can be compensated. Robert Kiyosaki, author of Rich Dad, Poor Dad, is bankrupt but he is also a financial guru expert. All his mistakes taught him plenty of lessons and that also proves that Allah ﷻ holds ALL the knowledge in this world and beyond. Anyway, Kiyosaki said that to be financially free, “…you want to know a little about a lot.” That’s true, don’t put yourself in only one mold. Try to volunteer and work with different organizations. Mix it up a bit, find your best fit. You can be loyal to all the platforms you work for without contradicting them.

Remember, the saying, Les bons comptes font les bons amis. It means, “Good agreements make good friends.” If people mess around with your money, disagreements are bound to happen. It’s inevitable. Allahu alim.

Picture Source: Motion Elements.

Papatya*

Original Source.

June 21, 2019 /Papatia Feauxzar
Interns, Working for free, Digital age, muslimah boss, muslim women, freelance writers
WRITING, ARTS
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The Keir Collection: The First Islamic Art Collection at the Dallas Museum of Art

May 03, 2018 by Papatia Feauxzar in History, ARTS

DALLAS — It has been a little over a year since the Dallas Museum of Art (DMA) of Texas received the third largest collection of Islamic Art of North America on an extended loan. It is said to be one of the world’s leading and private collection of Islamic art. The collection features Islamic and Islamicate arts from Asia, Europe, and the Middle East. The collection was put together by Edmund de Unger, an Hungarian art collector over a period of fifty years. The Keir Collection used to be also displayed in a British mansion, thus the name. With the help and determination of Sabiha Al Khemir, a Tunisian American curator, the collection made its way in the DMA for the public to see.

THE LAUDABLE

The Keir Collection is composed of priceless and unique pieces of Islamic and Islamicate History and Art. The colors of some of the pieces are vibrant and the skillmanship of the pieces is simply praise-able.

 

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Ewer, Egypt, late 10th to early 11th century, rock crystal; 19th-century gold mount by Jean-Valentin Morel. Brad Flowers / Keir Collection of Islamic Art on loan to the Dallas Museum of Art.

Source: The National

 

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Bowl, Iran, 13th century, ceramic. Ira Schrank / The Keir Collection of Islamic Art on loan to the Dallas Museum of Art.

Source: The National

The preserved Arabic texts of some items in the precious Keir Collection range from a Quran the size of a very small matchbox to embroidered fabric with sacred Arabic texts. The level of detail is mind-boggling and often requires a magnifying glass to peruse.

THE LIMITS OF THE COLLECTION

The map of the Islamic world in Africa was not totally accurate. It only showed two leading Islamic centers in West Africa and they were more than that. What’s more? Islam has always been all over the world, not in sporadic areas. Timbuktu and Abuja were great Islamic centers and so was Mankono in the north of Ivory Coast.

WHAT TO EXPECT AT THE DMA OVERALL

The Keir Collection is composed of about 2000 pieces if not more. The DMA displays about 150 pieces at a time. Perhaps we will get to see an old manuscript from Timbuktu like depicted below one day locally.

 

2013-Evacuation-manuscripts-Timbuktu-copyright-Prince-Claus-Fund-3-1024x680.jpg

Source: Manuscript recovered from Bamako, Mali by ‘Timbukto Renaissance’ curator Abdel Kader Haidara (image via the Prince Claus Fund)

OTHER PIECES OF ART IN THE KEIR COLLECTION

 

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Jug, second half of the 12th century, ceramic. Ira Schrank / The Keir Collection of Islamic Art on loan to the Dallas Museum of Art.

Source: The National

 

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Manuscript, Turkey, circa 1605–1610, work on paper. Ira Schrank / The Keir Collection of Islamic Art on loan to the Dallas Museum of Art.

Source: The National

Visit dma.org for more details.

Article written by Papatia Feauxzar. Originally appeared at MVSLIM.

May 03, 2018 /Papatia Feauxzar
The Keir Collection, Islamic Art, Islamicate Art, Al Kemir, DMA, Dallas Museum of Art
History, ARTS

PRESS RELEASE : 'THE ISLAMIC, ADULT COLORING BOOK' BY THERESA CORBIN

July 16, 2017 by Papatia Feauxzar in ARTS, ENTERTAINMENT ( 5 B4 5), DAILY LIFE

"The Islamic, Adult Coloring Book" is 130 pages. It was compiled in an effort to teach the non-Muslim about Islam and to combat the rising tide of stress in the modern Muslim's life, while still being beneficial in this world and the hereafter. The designs chosen for the book are intricate works that the adult colorer will find both challenging and soothing. The pages include detailed mosque architecture, calligraphy, hadith, dua, Quranic verses, and quotes all to allow Muslims to relax and refocus on deen. Each coloring page has a corresponding short, descriptive page for non-Muslims who want to join in on the relaxation and learn something about Islam along the way.

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July 16, 2017 /Papatia Feauxzar
Coloring Books, Djarabi Kitabs Publishing, Theresa Corbin, Press Release, Dawah, Non-Muslims, Muslims
ARTS, ENTERTAINMENT ( 5 B4 5), DAILY LIFE

 

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